Feminism’s mythology of rape culture
Elly Tams, aka Quiet Riot Girl, returns to our pages with an essay on one of feminism’s more powerful weapons: what they call “Rape Culture,” by which they mean perpetual female victimhood and male guilt.
Elly Tams, aka Quiet Riot Girl, returns to our pages with an essay on one of feminism’s more powerful weapons: what they call “Rape Culture,” by which they mean perpetual female victimhood and male guilt.
Long-time commenter Peter Wright brings a report from Kawasaki, Japan, perhaps the last refuge on planet Earth where the penis is celebrated instead of vilified and demonized.
B.R. Merrick walks us across the bridge that spans the gulf between men and women, noticing the cracks and conflict stressed supports along the way. And he shows us weak portions, stressed by the weight of unrealistic expectation.
There has long been conflicts between competing camps in what we call the man-o-sphere. That includes A Voice for Men. But not any more says Paul Elam. The time has come for farewells.
Luisa De Jesus was a child care worker. Apparently to her, though that meant killing them, which she did to at least 28 of them. Why? Because she had been paid in advance to take care of them and with their death also came the freedom to go “care”: for another child.
AVfM is proud to announce the addition of the Unknown History of Misandry as a regular feature to this website. We are thankful to Robert St. Estephe for this important contribution.
It’s easy, and pretty common, to charge MRA’s with being conspiracy nuts. But that is in a topsy-turvey world where feminists see patriarchal machinations and oppression around every corner.
In this meticulously documented paper, Dr. Murray Straus presents exactly how feminist ideologues corrupt DV research and skew results to fit an ideological agenda. Must reading for those concerned with partner violence.
Feminists are experts at revising history. Well, as far as expertise goes when it goes unchallenged. That does not sit well with Greg Canning, a man Down Under whose sense of history is deep and highly personal, as well as accurate.
Keith, both genius and editors nightmare, strikes again with an arduous but ultimately satisfying shot at rape, rape culture, rape advocacy, rape hysteria and rape flavored Jello Pudding. It’s rape-a-lic-ious!